This week, In Media Res features topics on 'Domestic Abuse in Movies & Television' that runs through Friday. 360 Degrees will follow contributions to the discussion. Today, Tuesday, Z. Hall presents 'Drunk in Love & The Shrew.'
For centuries women have struggled for equality in every culture. And violence against women remains a serious global problem. Historically, art is used as a vehicle to confront or perpetuate the social ill. Twenty-first century audiences have less tolerance for abuse of women in entertainment products they consume.
In January, 2015, Beyoncé won Grammy's for both the Best R&B Performance and Best R&B Song for 'Drunk in Love.' The song, featuring her husband, Jay-Z, was praised widely and criticized extensively too.
Absent statements from artists, audiences are left to make sense of products that cross the paternalistic line. Exploring 'Drunk in Love' as a derivative work of Shakespeare's 'The Taming of the Shrew' provides a way to understand the Knowles-Carter project as subversive.
What parallels do you recognize?
Click 'Drunk in Love and The Shrew' to read curated post and comments on this important subject.
Paternalistic or Subversive?
Absent statements from artists, audiences are left to make sense of products that cross the paternalistic line. Exploring 'Drunk in Love' as a derivative work of Shakespeare's 'The Taming of the Shrew' provides a way to understand the Knowles-Carter project as subversive.
What parallels do you recognize?
Click 'Drunk in Love and The Shrew' to read curated post and comments on this important subject.
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