Showing posts with label Twelve Years a Slave. Show all posts
Showing posts with label Twelve Years a Slave. Show all posts

March 3, 2014

The Oscar for 'Best Picture' Goes to ...!

I am compelled to wonder if Solomon Northrup had not written 'Twelve Years a Slave' whether there would have been a different Oscar-winning slave narrative last night, whether director Steve McQueen would have cast Lupita Nyong’o in a romantic comedy instead, whether confirmation of the beauty that is dark skin would be circulating at viral-pitch and celebrated by the mainstream fashion industry in the person of some other actor. I wonder.

'Best Picture' acceptance speech

Thank you, Solomon Northrop, for sitting down and recording your experience for the world to consider at a time when it needs it most.

'Actress in a Supporting Role' acceptance speech

How do we know that our story will not inspire readers, artists, movie-goers—humanity—more than a century beyond our existence?

Make a record.

Write!


March 2, 2014

[DVD Review] The Butler

I am trying to work up my courage to watch ‘Twelve Years a Slave.’ I plan to watch 'Roots' one day too.

Eugene Allen - Image: Biography.com
Last night, I nervously put 'The Butler' into the DVD player. Watching, I experienced those anticipated moments of sadness, pain, and anger. Nevertheless, overall, I feel that Lee Daniels captured a number of larger-than-life emotions, which laugh at words that attempt to express them. In the film, the black family, which as matter of institutionalized racial-hatred routine, endured and continues to endure a multiplicity of tragedies, is portrayed as dignified, complicated, intelligently funny, loving, and resourceful—not unlike my and other black families that I know.

It may be correct to direct some of the credit for the film’s authentic depiction of the black family toward Will Haygood the author of the book “The Butler: A Witness to History.” I am putting it on my summer reading list in order to investigate further. And, certainly, we are grateful to Eugene Allen, the butler, for a life lived with steadfastness and, indeed, courage—quite as it was. 



The successful approach toward depicting authenticity in this film is evidence of the need for a people to tell their story. Daniels does not share the legacy of American slavery or Jim Crow, but blacks everywhere have experience with unequal treatment and racism with which they can relate to the nuances of a particular experience.  




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